Winsor & Newton Professional Acrylic Colour Raw Umber Light 60 ML
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Raw Umber Light is a warm pale brown pigment made by the natural brown clays found in earth.
- This familiar rich dark brown earth pigment is semi-transparent with medium tinting strength.
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An extremely permanent inorganic colour, it mixes well with sedimentary Cobalt Blue or Cobalt Violet for granular middle-value greys that evoke mood, lends a depth of field and create form or spaces.
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It was named after Umbria, a region in Italy where it was mined.
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Unrivalled in brilliance and depth of colour.
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The highest quality, maximum-strength pigments ensure clean, strong colours with wonderful working properties; revolutionary transparent binder virtually eliminates colour shift from wet to dry.
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Smooth, thick, buttery consistency with no stringiness and blends easily with mediums and thinned with water for water colour techniques.
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It retains brushstrokes for excellent impasto effects with longer working time and without compromising the famous acrylic fast-drying tie.
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Depending upon thickness working time is approx.20-30 minutes.
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Individual formulation for each colour, to bring out the best in each pigment the maximum amount of pigment possible without extenders.
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Unsurpassed tinting strength.
Winsor & Newton Professional Acrylic Colour Red Iron Oxide 60 ML
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Red Iron Oxide is an opaque, soft red colour.
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An earth pigment, it is one of the oldest colours used by mankind and is extremely permanent.
- This versatile red-brown is a deep brick at full strength.
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Unrivalled in brilliance and depth of colour.
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The highest quality, maximum-strength pigments ensure clean, strong colours with wonderful working properties, revolutionary transparent binder virtually eliminates colour shift from wet to dry.
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Smooth, thick, buttery consistency with no stringiness; blends easily with mediums and thinned with water for water colour techniques.
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It retains brushstrokes for excellent impasto effects with longer working time and without compromising the famous acrylic fast-drying tie.
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Depending upon thickness working time is approx. 20-30 minutes.
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Individual formulation for each colour, to bring out the best in each pigment.
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Uses the maximum amount of pigment possible without extenders.
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Unsurpassed tinting strength.
Winsor & Newton Professional Acrylic Colour Renaissance Gold 60 ML
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Renaissance Gold is a semi-opaque acrylic colour.
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It is a unique colour due to its unusual combination of pigments, and contains a metal sheen resembling that of aged gold.
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Unrivalled in brilliance and depth of colour. The highest quality, maximum-strength pigments ensure clean, strong colours with wonderful working properties.
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A revolutionary transparent binder virtually eliminates colour shift from wet to dry.
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Smooth, thick, buttery consistency with no stringiness; blends easily with mediums and thinned with water for water colour techniques.
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It retains brushstrokes for excellent impasto effects with a longer working time, without compromising the famous acrylic fast-drying tie.
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Depending upon thickness working time is approx. 20-30 minutes.
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Individual formulation for each colour, to bring out the best in each pigment.
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Uses the maximum amount of pigment possible without extenders.
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Unsurpassed tinting strength.
Winsor & Newton Professional Acrylic Colour Silver 200 ML
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Silver is a unique colour which, due to its unusual combination of pigments, creates a metal sheen closely resembling that of silver.
- Unique binder ensures no colour shift between wet and dry.
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Longer working time.
- Excellent lightfastness and permanence.
Winsor & Newton Professional Acrylic Colour Silver No.2 60 ML
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Silver No.2 is a unique acrylic colour.
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It is a semi-opaque colour which, due to its unusual combination of pigments, creates a metal sheen closely resembling that of silver.
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Unrivalled in brilliance and depth of colour.
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The highest quality, maximum-strength pigments ensure clean, strong colours with wonderful working properties; revolutionary transparent binder virtually eliminates colour shift from wet to dry.
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Smooth, thick, buttery consistency with no stringiness it blends easily with mediums and thinned with water for water colour techniques.
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It retains brushstrokes for excellent impasto effects with a longer working time; without compromising the famous acrylic fast-drying tie. Depending upon thickness working time is approx. 20-30 minutes.
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Individual formulation for each colour, to bring out the best in each pigment.
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Uses the maximum amount of pigment possible without extenders.
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Unsurpassed tinting strength.
Winsor & Newton Professional Acrylic Colour Titanium White 60 ML
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Titanium White is a clean white pigment.
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It is the most opaque white pigment and is considered a standard strong white colour.
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Unrivalled in brilliance and depth of colour.
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The highest quality, maximum-strength pigments ensure clean, strong colours with wonderful working properties.
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A revolutionary transparent binder virtually eliminates colour shift from wet to dry.
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Smooth, thick, buttery consistency with no stringiness; blends easily with mediums and thinned with water for water colour techniques.
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It retains brushstrokes for excellent impasto effects with longer working time without compromising the famous acrylic fast-drying tie.
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Depending upon thickness working time is approx. 20-30 minutes.
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Individual formulation for each colour, to bring out the best in each pigment.
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Uses the maximum amount of pigment possible without extenders.
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Unsurpassed tinting strength.
Winsor & Newton Professional Acrylic Colour Ultramarine Blue 200 ML
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Ultramarine Blue is a rich transparent blue.
- It is the standard warm blue, a brilliant blue pigment that has the most purple and least green in its undertone.
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It has moderate to high tinting strength and beautiful transparency with slightly less granular in concentrated washes
- It can dull when mixed with white in acrylic form but mixes well with other colors.
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For less saturation, sedimentation and cost, use Ultramarine Blue straight, for vibrant crayon-like color or mixed with a cool red for dark, effective neutrals.
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It was created by French chemist Guimet in 1828 as a synthetic but chemically identical alternative to the expensive pigment derived from Lapis Lazuli.
Winsor & Newton Professional Acrylic Colour Yellow Ochre 200 ML
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Yellow Ochre is a warm yellow colour.
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Originally made from natural iron oxides found on earth, it is one of the oldest pigments used by mankind.
- It has good hiding power, produces a quick drying paint, and can be safely mixed with other pigments.
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Its transparency varies widely from opaque shades to more transparent ones, which are valued for their use as glazes.
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Yellow Ochre provides artists with earth tones from cream to brown.
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A synthetic version became available in 1920.
Winsor & Newton Professional Acrylic Colour Yellow Ochre 60 ML
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Yellow Ochre is a warm yellow colour.
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Originally made from natural iron oxides found in earth, it is one of the oldest pigments used by mankind.
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A synthetic version became available in the 1920s.
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Unrivalled in brilliance and depth of colour.
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The highest quality, maximum-strength pigments to ensure clean, strong colours with wonderful working properties; revolutionary transparent binder virtually eliminates colour shift from wet to dry.
-
Smooth, thick, buttery consistency with no stringiness; blends easily with mediums and thinned with water for water colour techniques; retains brushstrokes for excellent impasto effects; Longer working time; without compromising the famous acrylic fast-drying tie.
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Depending upon thickness working time is approx. 20-30 minutes.
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Individual formulation for each colour, to bring out the best in each pigment.
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Uses the maximum amount of pigment possible without extenders.
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Unsurpassed tinting strength.